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1994
- 95
AN
EXHIBITION OF THE ANGLO ISRAELI PHOTOGRAPHIC
AWARDS 1995
The Anglo-Israeli Photographic Awards
were created in 1992 by artist and photographer
Sandra Jacobs to encourage artistic
and cultural contact between Israeli
and British communities.
Each year photographers are selected
by a panel of experienced artists, photographers
and curators to work in each other's
countries. The scheme is open to all,
regardless of cultural, religious or
racial background. The artists have
an opportunity to discover a culture
new them and to exhibit the results
of their exploration, John Goto, one
of this year's selection committee,
says: "The scheme attempts to give
an artist the time, money and encouragement
to make new work"
This exhibition shows the work of this
year's Award winners - two British and
two Israeli.
Simon
Watson
/ The Settlers
Watson's photographic story documents
Israeli settlers living in the West
Bank and Gaza and was made during a
period when the settlers land was caught
up in deals between Israel and the PLO.
Focusing on those settlers who emigrated
from the USA, Watson examines the way
in which they have transplanted elements
of their diaspora culture into their
new settlements.
Ian
Wiblin
- Excavating the City
In a series of haunting black and white
images of architecture and archaeology
Wiblin reveals the atmosphere and history
of Jerusalem.
Oren
Eckhaus
/ Out of Love - Mixed Couples
Based In Tel-Aviv, Eckhaus came to London
to photograph couples where just one
partner was Jewish. His project looks
at questions of intermarriage and assimilation,
highlighting an issue particularly relevant
to minority groups in Britain today.
Galit Eilat / Oxford.
England
Eilat's exhibition represents the final
stage of her work with a group of women
students in Oxford. Responding to a
letter of Invitation, the women worked
with Eilat using photography to represent
their own lives. Eilat then photographed
the women's rooms and primed them onto
large canvases, exhibiting the resulting
work in Tel-Aviv. As the images were
not fixed, they faded during the course
of the exhibition, as memories fade
with time. The exhibition In London
will be a documentation of the whole
project.
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